The hundreds of millions of electronics thrown out each year are depleting precious resources and creating vast deposits of toxic materials, most of which are difficult or impossible to isolate almost by design. Active Disassembly is a promising technique for recycling electronics that relies on shape-memory connectors inside devices to pop apart under heat, separating valuable components without any manual labor required. Screws have been prototyped that lose their threads, as well as screen housings for laptops that pop apart to separate glass from LCD substrate. A typical cell phone can be broken down in seconds without any need to handle the toxic components (see a video demonstration of this technique here). This technique is already promising at the scale of snaps, enclosures and parts assemblies. Now if only it could be employed at the microscopic level, so that the myriad materials within circuits and could be recovered and re-used instead of being locked away forever in their fiberglass and epoxy coffins.
busting out
homeless polluters
Despite the plethora of personal footprint calculators out there, I have always had the nagging feeling that personal choices make almost no difference on the environment – that the shift of responsibility for environmental woes to individuals is a corporate strategy meant to reduce pressure on producers and legislators to regulate radical improvements to industrial practices. A recent MIT study headed by Timothy Gutowski showed that, in fact, even a homeless person in the United States has a carbon footprint twice the world average. This is due to enterprise- and government-level decisions and practices, such as the military, road construction and the way services such as electricity and water are distributed. The study took special care to account for the “rebound effect,” which looks at how money saved on gas – by driving an efficient car, for example – is then spent on another product or service with a potentially greater footprint. He proposes a carbon tax on consumers as the solution – once again neglecting the most powerful decision-makers: the producers and legislators who are themselves empowered to make decisions on a national scale that will reduce the footprint of even the most ascetic of Americans.
open source threads
We’ve seen do-it-yourself kits for wearable technology; now Studio 5050 has released the first open-source modular wearable technology collection, a series of hardware components that can be used to create computational clothes such as the temperature sweater which contains a discrete luminous numerical display in its cuff (pictured below), the masai dress which generates music when a beaded necklace strums its conductive threads , and embrace me, jackets that illuminate when their wearers hug each other. By making these and other modules available for anyone to use, new and unforeseen kinds physical and social interaction become possible for anyone to discover.
The schematics for six modules have been released under an Attribution-Noncommercial-Share Alike license: a power module (called the garment board)(picture up top), a physical contact detector (called the hug board), a light module (the LED module), a general purpose input-output module with clothing snaps on a board (the masai module), a speaker/microphone board (the sound module) and a temperature sensor / numeric display package (the temperature module).
mesh and re-mesh
A the Lexus installation at the Salone del Mobile there was an interesting installation about generation of mesh structures which provided hints for their eventual re-generation and re-use. The chair above was manufactured using a 3D printer from 2kg of fused Nylon powder. As part of the exhibition a series of models depicted how the surprisingly sturdy seat’s form was derived from the molecular structure of a crystal molecule (below). In the last case was displayed the raw material from which the entire chair was molded, in a glass beaker (bottom), suggesting that the mesh structure is an effective way to use a single material efficiently for a variety of applications and leave it in a state that can be cleanly re-fused for a completely different, later use.
local lamp
When is the last time you worried whether your furniture was locally produced? I saw this tag on a lamp at the Milan furniture fair, where the whole world comes to find which furniture to import. My favorite part about it is that the lamp was not only made in Italy; it was conceived there. Which means that maybe one day we’ll worry about being able to source knowledge locally – not just materials and labor.
fibrous furnishings
Aside from the rare up-cycled or open design project at this past week’s Salone del Mobile in Milan, there were very few radically new concepts and a lot of kinda-pretty-but-useless stuff. Very few designers targeted the environment in radical new ways, and almost none contributed significant inventions. One booth, however, had two promising new materials on exhibit: a laminate made from paper which could be structured into a chair (above) and a moldable material based on cellulose without synthetic binders which was made into a lamp (below). Material inventions of this nature could allow designers the freedom to experiment with form without all of the damage it usually ends up causing.
media wallet
Another find from Last week’s Designersblock: these wallets made from old cassettes split in half, gutted and joined with a zipper (by Marcella Foschi). She also authored these brilliant chandeliers made from tank tops:
creative commons kiosk
Last week at the Fuori Salone the most memorable event was designersblock: held at a dilapidated public pool in Milan’s Tortona neighborhood, it featured booths by designers and collectives organized under the London-based design collaborative. One of the exhibitors was KithKin’s “Some Rights Reserved,” a kiosk offering creative commons-licensed digital wares at low low prices in the form of CDs carrying members’ work. I’ll continue to post about them over the week: the projects are quite beautiful. Let’s start with Postler Ferguson’s Graphic Grenade, which Amanda bought for Ale for 7 Euros (it’s only 5 euros on-line). It’s a papercraft grenade that you can make yourself by printing, cutting and gluing the enclosed pdf. It’s licensed under the Creative Commons (by-nd) license.