graspable interfaces

jenny chowdhury presented her notorious ‘intimate controllers’ at the siggraph 2007 unravel fashion show. even though the piece is seems meant to help transgress shyness in a twister-like way, she clearly feels that it should only be used ‘by couples already in an intimate relationship.’ from the exhibition catalogue:

Intimate Controllers is a platform where video games are played by couples touching each other. The platform consists of two controllers, a bra for the female player and boxer shorts for the male player. Each controller is embedded with 6 sensors placed with varying degrees of intimacy in relation to the body part with which they correspond. Players must pass game levels together and in doing so, game play results in increasingly intimate positioning.

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the emperor’s new logo-T

i taped connor presenting his kameraflage at the siggraph 2007 unravel fashion show. from the catalogue description:

kameraflage™ is display technology that is invisible to the naked eye, yet is visible when imaged with a digital camera. By integrating kameraflage™ into garments, a new level of expression is enabled for people who are limited by dresscodes or those who simply wish to add an interactive element to their wardrobe, as garments can now include a secondary message or design that appears only in photographs or digital camera viewfinders. Additionally, kameraflage™ can be used as “electronic makeup” that can protect a wearer’s identity in today’s camera saturated world by discreetly disrupting the features required by electronic face-finding and facerecognizing systems.

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robo-fabric

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the shape memory alloy nitinol has the ability to spring back to its original forged shape when heated, allowing soft actuation without motors. italian fashion designers grado zero made a shirt that rolled up its own sleeves when the wire (and the wearer) overheat (above). later joanna berzowska and marcelo coelho made kukkia and vilkas, two garments where the thin metal wires are woven into clothing for different kinetic effects. in kukkia, ornamental felt flowers containing a coil of nitinol wire open and close through a tiny circuit and lithium battery. vilkas, like the shirt, raises and lowers the hem through vertical strands of wire in a gauze section of dress.

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underdog tech

tad hirsh of the medialab’s smart cities group is a remarkable techno-artist whose work subverts the oppressive nature of computer technology to defend people in need. a quick survey of his work:

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we know that cell phones can be used to spy on us, so it follows that they can also be used to spy for us: in the tripwire project, cell phones disguised as coconuts are used to record and broadcast noise pollution from airports over the typically poor areas surrounding them.

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while police and military have sophisticated communications systems to organize their movements, we the people are easily cornered and dispersed. until now – with TXTmob, you can broadcast text messages to a group of people to organize them against a better equipped opponent.

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mapping software is useful for finding places, but what if you don’t want to be found? with iSee you can plan trips through manhattan designed to avoid being captured on security cameras. unfortunately the project was done five years ago, and it’s probably not possible any more…

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logos past

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when i see a video about the history of something, i often break it out into stills and look at them all together so that i can get a better idea of the trends. this is one of these, from a video collage of past television production logos, shown here (via boingboing):

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hyperspaces

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another theme of this blog appears to be the ways that physical spaces can take on hyper-functionality like software. one example is architecture vs. virtual environments: how can real spaces create connections with physically distant realms? jennifer allora and guillermo calzadilla propose one solution in their work ‘traffic,’ a bare room with a drop ceiling that repeatedly glows red, green, then briefly yellow. the color of the ceiling (and the entire space) is actually connected to a traffic light in san juan, puerto rico, changing colors at the same time, only that instead of a colored dot somewhere it is an immersive color space that robs all of your attention.

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silhouette art

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kara walker has long made provocative wall pieces with life-sized cutout silhouettes cut from black paper. despite the sparse palette, her work always directly addresses racism and/or sexism. the cutouts are the size of murals and depict allegories of oppression through two-dimensional caricatures of race and sex. they tell double stories, of overt racism and of the implicit bias in the simplicity of images.

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roll-your-own display

connor and i saw this eink display at siggraph earlier this month – it’s not the first flexible display, but it’s amazingly thin and supple. the combination of flexibility and a reflective screen make it an ideal candidate for wearable technology where it could be sewn on fabric, as well as for a generation of supple devices that aren’t so sensitive to drops.

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