Plastic Car

Have you ever wondered why cars are painted? Is it to attract scratches? To stimulate the car wax industry? In addition to begging for a fender bender, painted panels are expensive to make, nearly impossible to repair or reuse, and they are toxic to people and the environment. The Think City car is purposely designed for life-cycle sustainability: the entire car is made of recycled and recyclable parts, with plastic body panels left unpainted and designed to be easily replaced and recycled. What’s next? Rubber bumpers?

From the text at the London Design Museum:

“Think City is a 100 per cent electric car. During its development, the environment has always been at the heart: from being environmentally sound to drive, to the car itself being designed to be recycled. The size lends itself to city driving yet it is the first electrical vehicle certified to also travel on the motorway. The materials have been carefully selected and engineered to be easily maintained and recycled; the plastic body work and other plastic panels being unpainted, reducing both energy consumption and toxins while also making the panels easier to recycle. The batteries use the latest lithium ion technology, which are returned to the supplier at the end of their usable life. The car itself is being produced and assembled in Think’s low-carbon emission factory.”

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bristle branch

At the London Design Museum a number of ‘sustainable’ projects were shown, seeking to highlight the design opportunities afforded by the use of renewable materials and traditional craft. The CLEAN series by CinqCinq uses bent branches to secure synthetic bristles in a series of cleaning brushes. The use of bright red to indicate the mass-produced element is reminiscent of the yellow thread in the Hundred Mile Suit. How can such literal material use ever carry the same desirability as cutting-edge modern products? Here is the description from the placard:

“CLEAN is a series of brushes and dust collectors: a feather duster, a dustbin, a brush, and brooms in two different sizes. The French design group CinqCinq has, through this series, challenged the industrial process of everyday products and turned these pieces into crafted, artisan objects. The idea here is not to replicate their mass produced equivalents, but rather to introduce a considered aesthetic through the use of material and its production process where the user will appreciate the object beyond its mere function. The handles are constructed from raw chestnut, and then steam bent to form the desired curve to fit the brush attachment, thus indicating that the labour intensity of the production line is longwinded, yet the result being one of slight unique characters for each piece.”

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fish it yourself

fishityourself

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fishityourself2

A lot of people would rather not know where things come from: in the US, you have to ask your fishmonger to keep the head and tail – it makes most customers queasy to realize their fillet had eyes. In Chinese culture, on the other hand, the head and the tail of a fish are saved for the most important guest at the table. That’s why I like this do-it-yourself booth at one of the Tainan (Taiwan) night markets. Passersby pay for a tiny fishing pole (actually a skewer) and squat at child-sized plastic chairs to pluck crayfish from plastic tubs. When they catch one, they can take it over to a small wood-fired grill where and prepare it as they wish – on the skewer they used to fish it. It is an elemental experience: fire, water, and earth in the form of delicious crispy shrimp. Would we eat differently if we could experience the life-cycle of food? Maybe, or maybe not. But we should be able to know it.

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community radio

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Most sustainable design is focused on preserving the life-support systems of our planet, but true sustainability relies on a balance between survival of people and the persistence of culture. The Magno radio is at once a consumer product made from renewable materials, while at the same time it creates a means for a people to sustain their skills and traditions. Taking advantage of local materials and craft tradition, these radios are aimed at sustaining the culture that produces them as well as the global environment. The project demonstrates the increasing importance of recognizing local resources – in terms of materials, skills and culture – as the most direct way to address the needs of consumers. From the placard at the London Design Museum:

The Magno wooden radio, a small and simple radio encased in a shell of wood, is an example of Indonesian entrepreneurship and design employing local manufacturing resources. Singgih Susilo Kartono is the creative brains behind this idea, designing the radio to help revive the economic conditions and employment prospects of Kandangan. His intention through this project was to try and change the villager’s dependency on cities and create a community that was more reliant on local services. As a result the villagers adopt a new set of craft skills, including carpentry that can be passed on. They also use locally sourced sustainable materials helping to sustain economic conditions within the area.

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dinner globe

dinnertablegame

The Dinner Table Game by Luckybite was one of the nominees at this year’s British Insurance Design Awards. The maquette I photographed (below) represents a full-sized dinner table at the London Science Museum (above) projected with virtual food on white place settings. A globular lazy susan allows visitors to understand where food comes from and what its worldwide availability and impacts could be. The installation makes the important point that the foods we choose to eat have global impact. The act of perusing a menu for what tickles the appetite undervalues food, both culturally and nutritionally. We need new ways to choose food that reflect the true costs (and benefits) – not only in terms of natural resources or health but also to account for the cultural and social impact of certain agricultural practices. Our appetites are fickle enough – it’s time we swallowed a little knowledge.

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laser dress

laserdress2

At the London Design Museum’s spectacularly designed Hussein Chalayan exhibit my favorite piece was a laser-studded outfit with miniature red diodes illuminated in sequences all over the body. They’re exhibited behind tinted glass to avoid blinding the viewer; their aggressive beauty is reminiscent of Adam Whiton and Yolita Nugent’s No-Contact Jacket, though in this case they blind rather than shock the aggressor.

laserdress

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ayah bdeir


Les Années Lumière ( 14/2/05 – 14/5/08 ) from ayah bdeir on Vimeo.

Ayah Bdeir is speaking at TEI ’09, where she will be showing her latest work.Les Anees Lumiere (The Enlightenment Years) is a map visualization that documents the bombings of her native Lebanon over the past three years in an eerily beautiful way. Teta Haniya’s Secrets is a piece that builds on the subversive Syrian tradition of panty hacking: she wanders through New York liberating Western women from their conservative Victoria’s Secret underwear.

Ayah Bdeir’s Electric & Flying Panties – video powered by Metacafe

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paper products

paperdustbin

In a small shop in the basement of the Axis Building in Tokyo I saw this elegant little dustbin and brush made from two sheets of paper fastened with pieces of string.

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